The Doctor Who Has Saved More Lives Than Any Other Human Being Alive Today

Interview by Anthony Al-Jamie

Dr. Henry Heimlich is perhaps the most important person I have interviewed in my entire career. He has invented medical procedures and devices that have saved, and continue to save, hundreds of thousands of lives every year. His medical innovations include the famous Heimlich maneuver, an approach to dislodging food from choking victims that can be done by just about anyone without any tools. Its success earned him celebrity status in the late 1970s on the talk show circuit including Johnny Carson’s “The Tonight Show.” Another innovation is the Heimlich Chest Drain Valve, a device that helps to prevent lungs from collapsing when bleeding occurs by draining air and liquid from the chest. This medical device is used in hospitals throughout the world, by police and emergency personnel to save the lives of gun shot victims, and by military personnel in just about every combat zone since the Vietnam War where the device saved lives on both sides of the line. Dr. Heimlich’s Micro-Trach is said to maximize oxygen intake, outperforming nasal cannulas, while completely concealing oxygen tubes under patients’ shirt collars. His remarkable work with the reversed gastric tube operation in the 1950s was the first full-organ transplant performed outside of the Iron Curtain and allowed patients with a damaged esophagus to swallow again. This is Part 1 of a series of interviews with the renowned Dr. Henry Heimlich.

Tadao Ando

Self-Taught Architect

Tadao Ando, born in 1941, is a former boxer who became one of Japan’s most renowned architects. His projects, which can be found in Japan, the U.S., the U.K., Spain, Germany, France, and Italy, are known for having large expanses of unadorned architectural concrete walls combined with large windows and wooden or stone floors. He has received such awards as the Pritzker Prize, Gold Medal of Architecture from the French Academy of Architecture, Gold Medal of the American Institute of Architects and Gold Medal of the Union Internationale des Architects. He is a visiting professor at Harvard University, Yale University, Columbia University, and University of California, Berkeley.

2013 Pritzker Architecture Prize Laureate Interview by Dr. Anthony Al-JamieIN March 2013, it was announced that 71-year old Tokyo-based Toyo Ito is the 2013 Pritzker Architecture Prize recipient.The Pritzker Architecture Prize is awarded annually to a living architect whose “built work demonstrates a combination of those qualities of talent, vision and com- mitment, which has produced consistent and significant contributions to humanity and the built environment through the art of architecture.” The laureates are awarded a $100,000 grant and a bronze medallion.

Previous Japanese recipients were Kenzo Tange (1987), Fumihiko Maki (1993), Tadao Ando (1995), and Kazuyo Seijima & Ryue Nishizawa (2010).

TJ: Congratulations on winning the Pritzker Architecture Prize! It is the biggest award in architecture.
ITO: Yes. After it was announced, many architects from all over the world sent me congratulations. I was so surprised that it is such a big award!

TJ: Who congratulated you?
ITO: Yes. After it was announced, many architects from all over the world sent me congratulations. I was so surprised that it is such a big award!

On October 16, 2013, Francis Ford Coppola, one of the most influential movie directors, producers and screenwriters of all time, was awarded the Praemium Imperiale in Tokyo, Japan. The Praemium Imperiale is an annual global arts prize awarded by the Japan Art Association in recognition of a lifetime achievement in the arts, in categories not covered by the Nobel Prizes. This award, which Mr. Coppola received from Prince Hitachi of Japan’s Imperial Family, is the most recent of many accolades for the filmmaker. He and his films have received six Academy Awards and the Coppola family is one of two families in history to have three generations of Academy Award recipients. Four of his films (“The Godfather,” “The Godfather Part II,” “Apocalypse Now” and “Patton”) were included by the Writers Guild of America’s list of “101 Greatest Screenplays Ever.” He has been honored with the Directors Guild of America’s Lifetime Achievement Award, and he is one of only eight filmmakers to win two Palme d’Or awards at the Cannes Film Festival. Prior to leaving for Japan, Tokyo Journal’s Executive Editor Anthony Al-Jamie interviewed Mr. Coppola regarding his love for film and his affinity for Japan.

TJ: I understand you will be receiving the Praemium Imperiale from Prince Hitachi of
the Imperial Family. Can you tell us about the award?
COPPOLA: It was an award I hadn’t known of, but it’s an award that was given in honor of the arts in fields that the Nobel Prize does not cover such as film, theater, literature, architecture, and sculpture.

TJ: Tell me about your background in Japan. When was your f irst visit to Japan?
COPPOLA: It’s hard for me to really pin down my first visit to Japan. I’ve been there a dozen times. I did visit Japan many times during the period in which I was making “Apocalypse Now.” While we were filming in the Philippines, we would often stop in Japan as my family loved going there, and over the years I went many, many times. My little children travelled with me at the time and they also love Japanese culture. That was the basis of Sofia’s fondness for Japan and her experience there.

TJ: What is your favorite part of Japan?
COPPOLA: In terms of a place, there are certainly Tokyo and Kyoto. But I think my favorite part of Japan is its unique and beautiful culture where they are able to combine the mundane steps of life with beauty, and each area of life has been understood as a kind of expression of grace, harmony and beauty. The culture is so unique in that everything that is done there has been a tradition of doing it with exquisite beauty. It is that very unique aspect of Japan that is so admirable. Whether it’s a piece of fabric, poem or food, there exists some sort of perfection in every area.

フランシス・フォード・コッポラ

2013 年 10 月 16 日、東京で、高松宮殿下記念世界文化賞の授賞式が行われた。演劇・映画部門では、映画監督、 プ ロ デュー サ ー 、 脚 本 家 として 歴 史 上 最 も 影 響 力 を 持 つ 巨 匠 の1人で あ るフ ラン シ ス・フォ ード・コッ ポ ラ 氏 が 受 賞 。 日 本 美 術 協 会 が 創 設 し た 同 賞 は 、 優 れ た 芸 術 家 を 顕 彰 す る た め に 年 1回 授 与 さ れ るも の で 、 ノ ー ベ ル 賞 が 対 象 とし な い領域をカバーしている。常陸宮殿下から授与されたこの賞が、コッポラ氏の受賞歴に新たに加わった。氏はこれま でに6つのアカデミー賞を受賞している。3世代にわたってアカデミー賞を受賞したのはコッポラ一族を含め2例だけ。 氏の作品「ゴッドファーザー」「ゴッドファーザーPart II」「地獄の黙示録」「パットン大戦車軍団」は、全米脚本家 協会が選ぶ映画脚本ベスト101 にランクイン。また全米監督協会のライフタイム・アチーブメント・アワード、カンヌ 国際映画祭パルム・ドールも受賞している。パルム・ドールの栄誉を2回手にしたのはコッポラ氏を含め8人だけ。東 京ジャーナルのエグゼクティブ・エディター アントニー・アルジェイミーが、日本に発つ前のコッポラ氏に、映画に対 する情熱と日本との縁について聞いた。

インタビュー:アントニー・アルジェイミー

TJ: 高松宮殿下記念世界文化賞を受賞され、常 陸宮殿下から顕彰メダルを授与されるそうです ね。
コッポラ:僕は知らなかったが、ノーベル賞が カバーしていない映像、演劇、建築、彫刻など の分野の芸術家を対象とした顕彰制度だそう だ。

TJ: 日本との関わりについて教えてください。 最初に日本を訪れたのはいつですか?
コッ ポラ:最初に行ったのがいつだったかは 分からないが、日本にはもう数え切れないほ ど行っているよ。「地獄の黙示録」の製作中も、 撮影場所はフィリピンだったが、途中でよく日 本に立ち寄ったんだ。家族が行きたがったから ね。子供が小さい頃は一緒に旅行したから、子 供たちも日本の文化が大好きだ。ソフィアが親 日家なのは、小さい頃の経験ゆえだろうね。

TJ: 日本の何が一番お好きですか?
コッ ポラ:場所で言えば東京と京都だが、何と いっても、平凡な日常と美を融合できる独特の 美しい文化に魅力を感じるね。生活そのものに、 気品、調和、美が感じられる文化なんだ。日本 の文化は全てにおいて個性的で、非常に美しい 伝統様式がある。それは日本の特徴であり、賞 賛されるべき点だ。繊維であれ詩であれ食べ物 であれ、あらゆる領域に“完璧”が存在する