As this California home has large windows with views of the pool in the front and a hilltop scenery at the side and back, the owners faced the challenge of selecting window coverings that would restrict direct sunlight during peak hours without blocking the magnificent views.
A regular visitor to Tokyo, New York City- based yoga instructor and interculturalist Judit Torok shares her techniques for alleviating big city stress.
Warrior for Confidence
Body language and non-verbal communication have a profound effect on not just how others perceive us, but on how we feel about ourselves.
I N a TED talk (a platform for discussing technology, entertainment and design), titled “Body Language Shapes Who You Are,” Amy Cuddy, a Harvard Business School associate professor and social psychologist, describes her research on the effects of physical poses for regulating our emotions. She claims that a person’s level of confidence, self-esteem and determination, all of which are closely linked with higher levels of testosterone (competition hormone) and lower levels of cortisol (stress hormone), depends on what body shape or posture a person habitually holds. The way we shape our bodies communicates non-verbally to others and, more importantly to ourselves, how we feel. Cuddy explains that holding a pose for as little as two minutes can radically change our self-perception and lead to significant life outcomes. So to feel more empowered, we should shape our body into a pose that promotes confidence. While it might be “pretend” at first, the more often we shape our bodies into powerful poses the more likely we will become confident people over time.
These ideas seem very powerful, but how do they relate to yoga?
A 30-year veteran Marriage Family and Child therapist, mother of five, and grandmother of 10, Lorraine Al-Jamie helps parents to acquire skills that enhance their ability to raise high-functioning and happy children.
THE building of relationships depends on building common interests. This process begins at birth, and you can observe it when mothers and fathers hold their newborns and echo the sounds that their newborns make. For their parents, everything young babies do is fascinating and this makes the task easier. Whether it is just seeing them yawn for the first time, or their first sneeze, each new thing provides a new shared experience. However, as they get older they sometimes become interested in things that are meaningless to us: for instance, mom will have little interest in the toy truck her little boy is pushing around. However, at that age the mother is still captivated by the child’s enjoyment and, therefore, remains present and sometimes involved. But I think we have all experienced a situation in which we, lost in our own thoughts, have struggled to pay attention to our child while he tugs our clothes saying, “Mommy” or “Daddy.” However, if we do make the effort to engage with our children, there is much satisfaction to be had in the interaction.
By Marcel Duret and Fred Thomas
One of Haiti's greatest exports to the world is its beautiful art. To illustrate the four major trends of the Haitian diaspora as outlined in previous issues of the Tokyo Journal, Haitian art experts Marcel Duret and Fred Thomas cast a closer look on the works of selected artists.
Aside the naive genre, there is primitivism. This encompasses works by artists with formal training but who decide to paint naively and consequently produce works similar to the ones by artists such as Jean Michel Basquiat, Emile Nolde and Jean Dubuffet. Such artists are influenced by the primitive art of indigenous cultures as seen in African masks and artifacts of the so called uncivilized people of other continents. These artists strive to emulate the spontaneity, unsophistication and simplicity of primitive art. They focus mainly on the essential by discarding or neglecting all unnecessary details so that the imagination can be left to complete the work. Blondel Joseph’s paintings and some of Fred Thomas’ newest creations are perfect illustrations of such a tendency.
LOOKING over his collection of photos and prints that were exhibited at the “Tokyo” photography exhibition at the Shanghai Art Museum, most of Suzuki’s work focuses on large-scale ongoing construction projects in big cities. The lighting gives his subjects an imposing, dignified presence and a somewhat solemn appearance. These images convey a rich sense of structure and a gloomy, downcast mood, using an overwhelmingly black-andwhite palette. Amid this jumble infrastructure, however, Suzuki presents us with a simple vision. His critical, philosophizing eye exudes a certain aura that stares down the urban clamor of the city and lurches across the frame at the viewer – something that prompted me quite naturally to think of the gaze that often crops up in our conversations. Suzuki is an artist who has an excellent eye. This facility almost certainly owes itself to his long-standing collaborations with Junko Koshino, as well as his keen interest in the humanities, the great issues that confront society today, and the teachings of Eastern philosophy.
Parents have long used “time-outs” as a technique to stop unacceptable behavior; however, time-outs are not just an effective punishment. They also give children an opportunity to calm down and gain self-control.
タイムアウト(今いる場所から強制的に退去させ、別の場所で一定 時間過ごさせること)」は、子供の容認できない行動をやめさせる ために以前から用いられている手法です。単なる“お仕置き”で はなく、気持ちを落ち着かせ自制心を養うチャンスを子供に与えるという 効果があります。
TJ: What aspects of photography do you like the most and the least?
SUZUKI: The most – it mirrors the creator. The least: it mirrors the creator. What I like the most is it reflects the thoughts of the photographer. On the other hand, what I like the least is it reflects the thoughts of the creator, despite his or her intention.
How often do you let people just pass through your life without much notice? Shared time can be anything from a moment, to a few hours or days; like the lady that smiled at you in the store or the man you met at the seminar. The investments we make in these unexpected meetings are often small. It’s common to assume that unexpected meetings will have little or no impact on the sequence of our lives’ events. So why bother? But what if these meetings could change your life? What if an encounter could change your life? If you embraced this idea, would you choose to live differently or greet the people you bump into in a different way?
Mangaris Red Hardwood Decking
The Mangaris Red hardwood decking transformed a once bland exterior to a rich, mahogany-colored one, with a matching, Japanese-style gate. Mangaris decking wood was also used to build up the front exterior wall by 18 inches, giving the front yard, pool, and entrance both a higher level of beauty and of privacy.
A regular visitor to Tokyo, New York City- based yoga instructor and interculturalist Judit Torok shares her techniques for alleviating big city stress.
Fight Off Stress with Your Breath
Imagine you have an acquaintance, a person you've known for a long time - perhaps as long as you can remember. He comes to you house any time, uninvited, and stays for as long as he wants. Rude and inconsiderate, he imposes his presence on your life, makes a mess and doesn’t leave. You try to be nice at first and reason with him, but he only gets more annoying with time. You try to ignore him or even pick a fight, but he comes right back again and again. This unwelcome and annoying acquaintance is called stress.