ONE of the biggest concerns with higher education today is whether graduates can find employment when they enter the “real world.”
FOR those of you who don’t know Kōhaku, I’d like to introduce you to one of the coolest institutions of music not only in Japan but in the world. The closest comparison might be the Eurovision Song Contest, but that would be doing Kōhaku a disservice. Kōhaku is an annual New Year’s music “competition” between male and female artists. There’s no prize and the competition part is really just in good fun to give the viewers a rooting interest. The 66th annual Kōhaku was broadcast live from NHK Hall in Tokyo. What’s so cool about it? Well, it’s one act after another in rapid succession with little talk in between and no long-winded thank you speeches. Each artist’s set is unique and even more extravagant than the previous one, which seems inconceivable for over 50 acts on a live TV broadcast. Only with Japan’s superhuman work ethic, unwavering discipline and accurate-to-the-second planning could such a mammoth of a show be pulled off year after year.
A Japanese metal band with nine full-length albums under its belt, DIR EN GREY has nearly 20 years of experience in the music industry. Drawing on inspiration from different genres, from the strong presence of visual kei at the inception of their career to current influences like alternative metal, DIR EN GREY continues to evolve and push boundaries. The five-member band showcases a masterful combination of music and lyrics. Formed in 1997, they caught the attention of one of their idols early on — X Japan’s Yoshiki, who produced five of their singles in 1999. The Los Angeles Times wrote that the lead singer, Kyo, “is a staggering vocalist” and “has stockpiled an extreme range of vocal in ections, from a guttural mutter to a tonsil-ripping scream — no electronic effects needed.” DIR EN GREY is set for an exciting summer. Their recent releases include a July 27th new single, “UTAFUMI,” in collaboration with renowned X Japan / LUNA SEA guitarist SUGIZO, as well as a June 29th Blu-ray/DVD of the band’s live performance of ARCHE on the legendary Nippon Budokan stage from February 2016. Tokyo Journal Executive Editor Anthony Al-Jamie talked to Kyo (voice), Kaoru (leader/ guitarist), Die (guitarist), Toshiya (bassist) and Shinya (drummer) about the band’s journey and their plans for the future.
With millennials suddenly embracing the nostalgia of their childhood, many former pop-culture figures are profiting from this newfound popularity for all things ‘90s. All-4-One is no exception. Their 1995 number-one hit “I Swear” was named one of the greatest love songs of the 20th century by the American Society of Composers, Authors and Publishers. With sales exceeding 22 million records worldwide, constantly touring and releasing new music, the GRAMMY Award-winning band released their 20th anniversary album, Twenty+, at the perfect time. Tokyo Journal sat down with Jamie Jones, Delious Kennedy, Alfred Nevarez and Tony Borowiak as they revisited their roots and discussed touring Japan.
One of Japan’s up-and-coming girl groups, Cheeky Parade, combines the classic J-pop style with their own flavor of mischievous energy. Consisting of nine members, all between the ages of 16 and 21, the group derived its name from the cheeky attitudes displayed by the girls, combined with the concept of entertainment represented by “parade.” Their cheerful personalities translate well into the vivacious energy required for their dynamic live performances, which have catapulted them to popularity. Making history as the first Japanese act to perform at the CBGB Music & Film Festival, the band continues to achieve success in both Japanese and global markets. Tokyo Journal Executive Editor Anthony Al-Jamie sat down with Cheeky Parade’s Mariya Suzuki, Momoka Kodakari, Hina Nagai, Marin Yamamoto, Seran Mizorogi, Yuriya Suzuki, Rino Shimazaki, Asami Watanabe and Yūna Sekine to talk about their recent performances abroad.
Japanese heavy metal band Loudness has long been an innovator in the Japanese music scene. They made history by securing a U.S. contract with Atlantic Records and were the first Japanese rock act to perform at Madison Square Garden. They stand out in their unique determination to become a truly international heavy metal band. They have released 26 studio albums, five of them in the U.S. The band’s roster has changed multiple times since 1981, with the current lineup consisting of the original members — lead singer Minoru Niihara, guitarist Akira Takasaki and bassist Masayoshi Yamashita — and later joined by drummer Masayuki Suzuki in 2009. Tokyo Journal Executive Editor Anthony Al-Jamie sat down with Minoru Niihara to learn more about his time with Loudness.
DRUM TAO has entertained over 7 million people in 500 cities in 23 countries, performing at 120 locations around Japan every year. The wadaiko (Japanese drum) troupe combines the artistic visual elements of a Cirque du Soleil show with the dynamic energy of a rock concert performed with traditional Japanese instruments. The group reflects Japanese tradition through music and dance, while incorporating Maori, Korean and Indonesian influences, and mixing traditional Japanese songs with modern compositions created by members of the troupe. In addition to taiko drums, TAO uses other instruments including the shinobue (Japanese flute), bamboo marimba, gongs and the koto (horizontal harp).
As one of the most iconic pop-rock bands of the '60s, the Beach Boys' vocal harmonies are among the most unmistakable, innovative and enduring in the history of rock and roll. They were the only group able to challenge the Beatles' success in terms of their overall impact on the Top 40. The Beach Boys had over 80 songs chart worldwide, including 36 U.S. Top 40 hits, which is the most by any American rock band. Four songs reached number one on the Billboard Hot 100 chart. The GRAMMY Award-winning group is one of the world's best-selling bands of all time, with worldwide sales exceeding 100 million records. Rolling Stone magazine listed them as the 12th greatest artist of all time in 2004. The California quintet's original lineup ー consisting of the Wilson brothers, Brian, Dennis and Carl, as well as their cousin Mike Love and friend Al Jardine ー was inducted into the Rock and Roll Hall of Fame in 1988. The group's lineup has changed over the years and two of the Wilson brothers have passed away, but in 2012, for the band's 50th anniversary, all of the surviving members briefly reunited for a new studio album and world tour. The Beach Boys are no strangers to Japan, having first performed in Tokyo, Nagoya, Osaka, Kyoto and Fukuoka in 1966. A look at the back cover of their 1966 album, Pet Sounds, reveals photos of the group in Kyoto, outfitted in traditional samurai costumes. Half a century later, the current lineup of the Beach Boys not only returned to perform six concerts at the new venue, Billboard Live Tokyo, but they also performed for the first time ever in Seoul, South Korea. Tokyo Journal Executive Editor Anthony Al-Jamie talked to original member, singer, songwriter and activist, Mike Love, about the band's legendary career, his love for transcendental meditation and his fondness for Japan.
The 2015 Nobel Prize in Physics was awarded jointly to Japanese scientist Dr. Takaaki Kajita and Canadian scientist Arthur B. McDonald for the “discovery of neutrino oscillations, which shows that neutrinos have mass.” Modern physics uses the Standard Model, which defines three differerent types, or “flavors,” of a very small, elusive particle called the neutrino. In 1998, Dr. Takaaki Kajita detected neutrinos that were created in reactions between cosmic rays and the Earth’s atmosphere inside the Super-Kamiokande detector, an experimental facility in a Japanese mine. Measurements showed deviations, which were explained by the neutrinos switching between the differerent “flavors.” This is ultimately meant that neutrinos must have mass. As the Standard Model is based on the theory that neutrinos lack mass, this research meant that the model must be revised. Dr. Kajita was born in 1959. In 1981, he started his scientific career in the graduate program at the University of Tokyo, where he received his Ph.D. in physics in 1986. After graduating, he began working at the University of Tokyo’s International Center for Elementary Particle Physics. In 1988, he moved to the University of Tokyo’s Institute for Cosmic Ray Research and has served as its director since 2008. Tokyo Journal Executive Editor Anthony Al-Jamie talked to Dr. Takaaki Kajita about his contributions to the eld of physics.
On June 3, 2016, Muhammad Ali, three-time heavyweight champion and one of the most significant and renowned sports figures of the 20th century, passed away at the age of 74 after a long ght against Parkinson’s syndrome. The self-proclaimed greatest boxer of all time, famous for his ability to “float like a butterfly and sting like a bee” in the ring, was also known for his efforts to promote peace and compassion outside the ring. His 1967 stand against the Vietnam War transcended the realms of faith and politics and resulted in Ali being arrested, found guilty of draft evasion charges and stripped of his boxing titles. However, he successfully appealed in the U.S. Supreme Court, which overturned his conviction in 1971. After retiring, he devoted his life to charitable work by promoting world peace and condemning bigotry — two things that all faiths could relate to. He met with Iraqi President Saddam Hussein and successfully negotiated the release of American hostages, served as a United Nations Messenger of Peace in Afghanistan, walked with Malcolm X, exchanged jokes with the Dalai Lama and lit the torch opening the 1996 Olympics.