Anthony Al-Jamie lived and worked in Japan for over 20 years. His in-depth understanding of Japanese language and culture has allowed him to carry out interviews with many of the most renowned individuals in Japan. He first began writing for the Tokyo Journal in the 1990s as Education Editor, later he was promoted to Senior Editor, and eventually International Editor and Executive Editor. He currently serves the Tokyo Journal as Editor-in-Chief.
Founded in 1909, the Japan America Society of Southern California ( JASSC) builds economic, cultural, governmental and personal relationships between the people of Japan and the U.S. Tokyo Journal Executive Editor Anthony Al-Jamie sat down with JASSC President Douglas Erber to discuss his experience in Japan and in running this non-profit membership organization, which connects individuals and organizations in Southern California with an interest in Japan and U.S.–Japan relations.
A Japanese metal band with nine full-length albums under its belt, DIR EN GREY has nearly 20 years of experience in the music industry. Drawing on inspiration from different genres, from the strong presence of visual kei at the inception of their career to current influences like alternative metal, DIR EN GREY continues to evolve and push boundaries. The five-member band showcases a masterful combination of music and lyrics. Formed in 1997, they caught the attention of one of their idols early on — X Japan’s Yoshiki, who produced five of their singles in 1999. The Los Angeles Times wrote that the lead singer, Kyo, “is a staggering vocalist” and “has stockpiled an extreme range of vocal in ections, from a guttural mutter to a tonsil-ripping scream — no electronic effects needed.” DIR EN GREY is set for an exciting summer. Their recent releases include a July 27th new single, “UTAFUMI,” in collaboration with renowned X Japan / LUNA SEA guitarist SUGIZO, as well as a June 29th Blu-ray/DVD of the band’s live performance of ARCHE on the legendary Nippon Budokan stage from February 2016. Tokyo Journal Executive Editor Anthony Al-Jamie talked to Kyo (voice), Kaoru (leader/ guitarist), Die (guitarist), Toshiya (bassist) and Shinya (drummer) about the band’s journey and their plans for the future.
In a world where “cosplay” has yet to become a household word, one may be surprised to find that a career can be made from the art of dressing up as a character from a movie, book or video game, especially from the Japanese genres of manga and anime. The only cosplayer represented by Japanese talent agency HoriPro, Nekomu Otogi, has taken cosplay to the professional level. Otogi does photo shoots for manga magazines and was once voted the most beautiful girl in Akihabara, the anime, manga, video game and discount electronics center of Tokyo. Tokyo Journal Executive Editor Anthony Al-Jamie talked with Otogi about her cosplay experiences and her dream of becoming a manga artist.
Not many countries can boast of having a kawaii (cute) fashion representative, especially when that rep is as unique as Kimura U. Her official government title is the Japanese Harajuku Fashion Representative from the Ministry of Foreign Affairs. Put simply, U is an official symbol of cute for Japan and she’s Tokyo Journal’s JapanCon Ambassadress. However, there’s more to U than her sparkly pastel exterior. She’s smart and ambitious — and it took hard work for her to achieve icon status. As her website boasts: “Kimura U does not stop.” Tokyo Journal ’s Executive Editor Anthony Al-Jamie is pleased to introduce you to his newest colleague, Kimura U.
One of Japan’s up-and-coming girl groups, Cheeky Parade, combines the classic J-pop style with their own flavor of mischievous energy. Consisting of nine members, all between the ages of 16 and 21, the group derived its name from the cheeky attitudes displayed by the girls, combined with the concept of entertainment represented by “parade.” Their cheerful personalities translate well into the vivacious energy required for their dynamic live performances, which have catapulted them to popularity. Making history as the first Japanese act to perform at the CBGB Music & Film Festival, the band continues to achieve success in both Japanese and global markets. Tokyo Journal Executive Editor Anthony Al-Jamie sat down with Cheeky Parade’s Mariya Suzuki, Momoka Kodakari, Hina Nagai, Marin Yamamoto, Seran Mizorogi, Yuriya Suzuki, Rino Shimazaki, Asami Watanabe and Yūna Sekine to talk about their recent performances abroad.
While considered new to the United States’ app market, user-generated romantic storytelling apps have had a solid place in Japan’s mobile entertainment industry for over 15 years. Since its founding in 1999, Voltage Inc. has been the leading pioneer in the market for online drama and romantic storytelling. With user generated storytelling apps, such as My Forged Wedding and Be My Princess, aimed at a dominantly female audience created by a primarily female workforce, Voltage consistently ranks first in the entertainment category of app stores not only in Japan, but also 48 other countries including the United States. In addition to creating multiple award-winning romantic simulation games, Voltage has succeeded in cooperating with new communication platforms such as LINE, proving it can adapt to new technologies. In 2012, Voltage opened its first U.S. brand, bringing the Japanese virtual reality romance apps straight to a growing fan base. Tokyo Journal’s Executive Editor Anthony Al-Jamie met with Voltage CEO Yuji Tsutani to talk about the business’ success with female-oriented user games and the challenges of expanding into the U.S. market.
Japanese heavy metal band Loudness has long been an innovator in the Japanese music scene. They made history by securing a U.S. contract with Atlantic Records and were the first Japanese rock act to perform at Madison Square Garden. They stand out in their unique determination to become a truly international heavy metal band. They have released 26 studio albums, five of them in the U.S. The band’s roster has changed multiple times since 1981, with the current lineup consisting of the original members — lead singer Minoru Niihara, guitarist Akira Takasaki and bassist Masayoshi Yamashita — and later joined by drummer Masayuki Suzuki in 2009. Tokyo Journal Executive Editor Anthony Al-Jamie sat down with Minoru Niihara to learn more about his time with Loudness.
Born in 1984 in Los Angeles, California, Justin Baldoni was raised in Medford, Oregon with a Jewish and Italian background. Raised in the Bahá’í Faith, Baldoni strives to make his work a form of service. He has appeared in television shows and films including Disney Channel’s e Suite Life of Zack & Cody and NBC’s Heroes, which led to a leading role in the award-winning TV show, Jane the Virgin. Tokyo Journal Executive Editor Anthony Al-Jamie spoke to Baldoni about his experience taking part in the Youth and Leadership Panel at the Dalai Lama’s Global Compassion Summit, the importance of his Bahá’í Faith and how it has become the basis for a few of his current and upcoming projects.
Congresswoman and U.S. Senate candidate Loretta Sánchez has represented California in the United States Congress for the past two decades. Her district in Orange County includes the cities of Anaheim, Santa Ana, Orange and Garden Grove. A graduate of American University’s MBA program, Congresswoman Sánchez holds a senior position on the House Armed Services Committee and is the second-highest ranking Democrat on the House Homeland Security Committee. She is the founder and co-chair of the Women in the Military Caucus, co-chair of the Immigration Task Force, and also a member of the Congressional Hispanic Caucus, the Tactical Air and Land Forces Subcommittee, and the Subcommittee on Strategic Forces, preparing the U.S. for missile or nuclear attacks. Tokyo Journal Executive Editor Anthony Al-Jamie caught up with Loretta Sánchez while she was in Washington, D.C., and talked with her about her role in the Global Compassion Summit.
Born in 1917, Walter Munk is an Austrian-born American geophysicist and oceanographer whose groundbreaking studies of ocean currents and wave propagation set the foundation for oceanography as we know it today. He is a professor emeritus of geophysics at the Scripps Institution of Oceanography in La Jolla, California, where he earned his Ph.D. in oceanography. Also holding a master’s degree in geophysics and a bachelor’s in physics from the California Institute of Technology (Caltech), his work in the science of wave prediction became part of the planning for the D-Day landings in 1944, and he has done pioneering research in ocean sound transmission, deep-sea tides and even climate change. He has won numerous awards during his research career, including the National Medal of Science in 1983 and the 1999 Kyoto Prize in Basic Sciences — the first time it was awarded to an oceanographer. He was the inaugural recipient of the Prince Albert I Medal in the physical sciences of the oceans, which Prince Rainier of Monaco created in cooperation with the International Association for the Physical Sciences of the Oceans. He even has an award named in his honor — and in 1993 he was the first recipient of the Walter Munk Award given jointly by the Oceanography Society, the Office of Naval Research and the U.S. Department of Defense Naval Oceanographic Office. Tokyo Journal Executive Editor Anthony Al-Jamie talked with Walter Munk about hisextraordinary career, the Dalai Lama’s 80th ebration and the World Compassion Summit.