Roy English, a U.S.-based songwriter, producer, and musician known by his moniker Jagwar Twin, started writing and developing music at a very young age. After multiple musical endeavors and years of releasing music, Jagwar Twin’s popularity reached unprecedented heights after two of his songs, “Happy Face” and “Loser,” were uploaded on YouTube with Japanese translations. Jagwar Twin became an overnight sensation in Japan. As of August 2022, “Happy Face” had crossed 43 million streams on Spotify, with Japan being in the top five global markets on all streaming platforms. Tokyo Journal Editor-in-Chief Anthony Al-Jamie spoke with Jagwar Twin about his experiences as an up-and-coming musician, as well as his connection to Japan.
Michael Franti is a musician, rapper, poet, spoken word artist, singer-songwriter, filmmaker and hotelier who has been a pioneering force in the music industry for three decades. His lyrical activism is a positive force for social justice and peace. His group, The Disposable Heroes of Hiphoprisy, opened for U2 during their 1992-93 Zoo TV Tour. His latest band is Michael Franti & Spearhead, which blends hip hop with funk, reggae, jazz, folk and rock. Its single, “Say Hey (I Love You),” is multi-platinum. From a diverse household with a multiethnic background, Franti has dedicated his life to spreading the joy of music and positivity to millions of people. His audiences have been as diverse as His Holiness the Dalai Lama, prison inmates, the U.S. military and locals on the streets of Middle East war zones — and he’s done the last 18 years of this without wearing shoes. Tokyo Journal Executive Editor Anthony Al-Jamie spoke with Michael Franti about his quest for equality through melody.
Steve Aoki is a Japanese American electro-house producer and musician whose global earnings must be music to his ears. Forbes listed him as the world’s fourth highest-paid DJ in 2018, with his concert schedule of over 200 shows around the world, in addition to his Las Vegas residency earning him $29.5 million. Forbes estimates that he also earned four million dollars in endorsements for Japan’s largest airline, ANA, and French wine Luc Belaire. Then there’s his men’s luxury streetwear line, Dim Mak Collection, and his videogame gambling machine that debuted in casinos in 2017, Steve Aoki’s Neon Dream. He became a musical millionaire with little radio support — and without the financial support of his famous father, Rocky Aoki, the former wrestler who created the Benihana restaurant empire. Born in 1977 in Miami, Florida and raised in Newport Beach, California, Steve Aoki graduated from the University of California, Santa Barbara with bachelor’s degrees in sociology and feminist studies. In 1996, he founded his own record label, Dim Mak. His performances on tour, including throwing cake and spraying champagne bottles at fans, acrobatic crowd surfing and riding rafts on the dance floor, have earned Aoki huge college support. He has collaborated with producers and vocalists, such as Snoop Dogg, will.i.am, LMFAO and Linkin Park. Aoki and his Billboard-charting studio albums have won numerous industry awards and nominations. The Steve Aoki Foundation supports organizations focusing on regenerative medicine and brain preservation, as well as animal rights and disaster relief. In September 2017, he donated $30,000 to Hurricane Harvey relief and challenged other musicians to match his contribution. The heart-thumping and heart-wrenching documentary on Aoki, I’ll Sleep When I’m Dead, was released in 2016 and is available on Netflix. Tokyo Journal Executive Editor Anthony Al-Jamie spoke with Steve Aoki about his multifaceted career.
Toshiro Mifune (1920-1997) is one of the most prominent and revolutionary actors in the history of Japanese film. With his iconic acting, Mifune opened the door to a new era that brought Japanese cinema to the world stage. He appeared in over 170 feature films, but is best known for the 16 films that he made with legendary filmmaker Akira Kurosawa, including Rashomon, Seven Samurai, The Hidden Fortress and Yojimbo. He starred in Hiroshi Inagaki’s Samurai Trilogy, the groundbreaking NBC television miniseries Shogun and Steven Spielberg’s 1941. He also portrayed Admiral Isoroku Yamamoto, who bombed Pearl Harbor, in three films. He was awarded Best Actor at the Venice Film Festival twice. On November 14th, 2016, he was honored with a posthumous star on the Hollywood Walk of Fame for his work in the motion picture industry. On November 25, 2016, the documentary Mifune: The Last Samurai, directed by Steven Okazaki, was released.
THE California quartet 3 By Design is a modern hard rock band that channels a variety of sounds such as Shinedown, Alter Bridge, Alice in Chains, Sevendust and The Black Crowes. Formed in late 2013 by vocalist Jon Goodhue, guitarist Kevin “KJ” Hicklin, bassist Frank Mullis and drummer Kent Diimmel, the band demonstrates tight technical musicianship on their EP Under the Surface and strikes an instant chord with audiences during full-throttle live performances. When asked what makes them click, all of the band members agreed that it is their chemistry, both on and off the stage, and wide array of musical influences. Check out their video for “Shatter” and their EP on their website: www.3bydesign.net tj
ONE of the biggest concerns with higher education today is whether graduates can find employment when they enter the “real world.”
FOR those of you who don’t know Kōhaku, I’d like to introduce you to one of the coolest institutions of music not only in Japan but in the world. The closest comparison might be the Eurovision Song Contest, but that would be doing Kōhaku a disservice. Kōhaku is an annual New Year’s music “competition” between male and female artists. There’s no prize and the competition part is really just in good fun to give the viewers a rooting interest. The 66th annual Kōhaku was broadcast live from NHK Hall in Tokyo. What’s so cool about it? Well, it’s one act after another in rapid succession with little talk in between and no long-winded thank you speeches. Each artist’s set is unique and even more extravagant than the previous one, which seems inconceivable for over 50 acts on a live TV broadcast. Only with Japan’s superhuman work ethic, unwavering discipline and accurate-to-the-second planning could such a mammoth of a show be pulled off year after year.