Synopsis of Art by Artists of Haitian Descent in the Diaspora –– Part III

By Marcel Duret and Fred Thomas

One of Haiti's greatest exports to the world is its beautiful art. To illustrate the four major trends of the Haitian diaspora as outlined in previous issues of the Tokyo Journal, Haitian art experts Marcel Duret and Fred Thomas cast a closer look on the works of selected artists.

Primitivism

Aside the naive genre, there is primitivism. This encompasses works by artists with formal training but who decide to paint naively and consequently produce works similar to the ones by artists such as Jean Michel Basquiat, Emile Nolde and Jean Dubuffet. Such artists are influenced by the primitive art of indigenous cultures as seen in African masks and artifacts of the so called uncivilized people of other continents. These artists strive to emulate the spontaneity, unsophistication and simplicity of primitive art. They focus mainly on the essential by discarding or neglecting all unnecessary details so that the imagination can be left to complete the work. Blondel Joseph’s paintings and some of Fred Thomas’ newest creations are perfect illustrations of such a tendency.

Léonce of Dame-Marie,Haiti: A True Free Man

Something from the ocean, something from the hills

By Marcel Duret
Co-author: Kettly Mars

It was four o’clock in the morning, pitch black, cool, and we were about one hour early. When our driver turned off the car’s engine, life seemed suspended to the songs of crickets and the spicy smell of mountain vegetation. It was an eerie moment for a city man like me who is intoxicated with artificial noise day and night. Léonce had promised as a farewell gift to end my three-day stay, that he would take me to “Planò” Hills, a few kilometers south of Dame-Marie, to see where the earth and sky become one. We waited in the darkness, using our cell phones when we needed light, talking and sharing the cassava, avocados and bananas that the generous old man had brought.

Synopsis of Art by Artists of Haitian Descent in the Diaspora –– Part II

By Marcel Duret and Fred Thomas

One of Haiti’s greatest exports to the world is its beautiful art. To illustrate the four major trends of the Haitian diaspora as outlined in the 2013 Summer Issue of the Tokyo Journal, Haitian art experts Marcel Duret and Fred Thomas cast a closer look on the works of a few selected artists.

THE NAIVE VEIN
When looking at a naive painting a most striking element is the raw quality and directness of the composition and design. Everything is kept simple. What you see is what it is about. Lines and colors are combined to convey a clear image where each element appears necessary for the edification and justification of the whole. As few ornaments as possible are used, making the bluntness of expression look even more evident. The lack of artifice and hid- den meanings maximizes the connection between the picture and observers, many of who lose no time trying to decipher some cryptic iconography or unclear symbols that require initiation rites or specific knowledge. This simplicity can baffle onlookers who try so hard to complicate things based on their own bias or collective pool of references, instead of opening up their minds and let- ting themselves become impregnated by the unique visual and emotional experience that a primitive painting can achieve when it is made by someone genuinely awestricken by an inner vision or a natural phenomenon.

This simplicity sometimes appears in the flatness of shapes. It is as if the artists use some type of magnifying glass that enables them to bring forth every element of a scene as though each one is of equal importance. This way nothing is left behind for the benefit of the observer who can see the relevance of every item as it is conceived in the artist’s mind.The idea is not to judge but rather to take everything indiscriminately at face value.

Synopsis of Art by Artists of Haitian Descent in the Diaspora –– Part I

By Marcel Duret and Fred Thomas

ON May 15, 2013, Jean-Michel Basquiat’s “Dustheads” sold for a record price of US$48.8 million at a Christie’s auction in New York. This made “Dustheads” one of the most expensive pieces of art on earth today. Basquiat’s impact can be seen globally. An example is an exhibition of his work from May 21 to August 10, 2013 at the Gagosian Gallery in Hong Kong. The exhibition attests to Basquiat’s acute global relevance 25 years after his untimely death. Basquiat is without a doubt the king of all artists of Haitian descent. But while he has gained international stardom, many other artists of Haitian descent living in the United States and Canada haven’t enjoyed the publicity that surrounded Basquiat’s life and death. Nevertheless, they are a group of extremely talented artists who have contributed to the vivacity of the art scene in North America.